New Show: Supporting Vera Sola at the Lexington

looking forward to supporting the amazing Vera Sola 🧚‍♀️ at The Lexington on 24 April 💗 thanks rockfeedback for having us back!

Vera Sola SQ supports.jpg

more info and tickets available here (18+)! 

💕check out my fav vera sola track, “the cage” here:


dark angels


i’ve started a new instagram (yes, another one…) called @honeydreamlover where i’m documenting not just the process but the inspiration (visual and otherwise) that’s going into this new EP. mostly just to have something to look back on but also to have something semi-coherent to refer to during the production.

work really has properly “begun” on the EP, as i’ve been posting about the last couple of weeks. it has a darker tone, i think, than most of moonlight did. with what we have so far, the closest moonlight song would be bleed honey.  but we’re not even half-way finished yet so that could change. but i really enjoy exploring the darker side of things lyrically. i feel like beyond bleed honey,  moonlight said all i needed to say, at that point, i couldn’t have taken those other three songs any further.

and for that reason i’m really really glad that NME picked bleed honey as their key track because i feel like it’s the most representative “taste of things to come” that i’ve put out so far. once the EP is finished, i might feel different and the overall tone might be much lighter and dreamier, but i’ll be surprised (that’s why I like documenting things in blogs so that i can refer back to them).

i was thinking also about aphrodite, which is nearly at 10k streams on spotify in probably about a month. that’s insane for me, that’s probably the quickest a song has reached that since heaven california came out last april. so in a sense, i hope that anyone who’s new to the music and discovers that song, will enjoy the lighter side of what i’ve put out (i’m thinking, moonlight) but will also be able to appreciate the darker tones that are coming. idk. i really feel like i scratched a creative itch w that song and although i’d like to continue tentatively exploring that sound, i don’t feel the need to put out a whole EP that sounds like “aphrodite” (yet! u never know, that might change in the future).

i accidentally used the word “generic” when i was talking about aphrodite in a recent interview. and on reflection that wasn’t really what i meant. i don’t think aphrodite sounded like a carbon copy of everything else out there (and if it did, kinda who cares?) but i meant, generic for me… from a production point of view it sounded almost like a regression back to my very very early releases. it was nostalgic for me and kind of a development of my old sound, but very much reminded me why i moved away from it in the first place. towards the very end of 2018 i shared an old track i had recorded back in 2016 called “in the light”, and there is quite a similarity between aphrodite and in the light even though they are almost two years apart. there seems to be something within me as a writer that produces material about that, but she seems unchanging, and it’s the changing girl that i like.

however it was nice to explore a “beautiful for the sake of beautiful” concept in terms of production, lyrics and delivery; it’s just not where i see myself going as a songwriter if i want to actually push myself. sorry to anyone who was hoping for an EP that sounded like aphrodite! although i’m sure i’ll continue to experiment and i’m sure those experiments will still end up on youtube for anyone who wants to hear 🙂

anyway, not sure why this took such a turn, didn’t intend to write an essay, just wanted to kinda say that the EP is a little bit of a dark angel, i’ve been VERY much inspired by some of my all time favourite artists and bands that i loved when i was growing up. i think my little dark angel is going to be beautiful

until next time, all my love


live at the sebright arms (17.02.19)



thank u so much to everyone who came out to catch our set at the sebright arms in support of tanukichan! thank u to dan and elodie at rockfeedback for booking us and the sebright arms for having us; thank u jasleen and sophia for the pics and videos; thank u everyone who tuned in to the livestream on IG!

it was a total dream and so delightful to share new song ‘dreamlover’ to such a positive reception – can’t wait to share it and the rest of the EP.

see you at the next one!
all my love


hey everyone, 2019 is off to a great start. working on the new EP right now! looking forward to expanding and diving into the sounds that we hinted to on Moonlight. really can’t wait to share the first single.

hope you can join us at the sebright arms on sunday 17 feb in support of tanukichan & ellie bleach. ruben will be there too! come and say hi and enjoy a night of great music! tickets here. (18s and over sorry!)

i also had an awesome chat w ben from slanted press who wrote an amazing write-up – check that out over here. it got deep. i managed to mention marilyn manson at least twice.

love forever


“The rising singer-songwriter making elegantly sad pop to break your heart” – NME

An amazing surprise for me today – NME included me in THE NME 100! I am so delighted, elated, just over the moon! 49729321_10156933392945912_1651424258275934208_o49329092_10156933392885912_1644972040576303104_o49344592_10156933392740912_8709521878978396160_o

text reads:

From: London, UK
Sounds like: Music made to stare out to sea from the windy coasts of Britain to
For fans of: Lana Del Rey, Fleetwood Mac, Alexandra Savior
USP: A sigh that feels like it weighs a tonne, but only serves to make her songs more magical.
Why you’re going to love them: Honey Gentry knows how to craft a song for those days when you can barely lift your head off the pillow – lethargic but beautiful and poised in its misery. That all she needs is her emotive voice and barely more than a guitar to make you feel at one with her marks her out as someone very special.
Key track: ‘Bleed, Honey’


check out the whole list here:

welcome to 2019 with Aphrodite

hello and welcome, 2019!

i hope this is a fruitful year. 2018 was a great year in many ways, but it was full of near-misses and longing, for me… hopefully this year is one that manifests some tangible results from all the work i put in… please cross your fingers for me!

i wrote this song in mid-December, the lyrics came to me very easily, which always gives me positive feelings towards a song… i hope you like it.

you can download it (and read the lyrics) here on bandcamp: